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Rome Film Festival 2025
Rome Film Festival 2025: Once Upon a Time in Gaza (dirs. Arab & Tarzan Nasser) | Review
In "Once Upon a Time in Gaza," the Nasser brothers return to their homeland with a bold blend of realism…
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Rome Film Festival 2025
Rome Film Festival 2025: Kenny Dalglish (dir. Asif Kapadia) | Review
On a sunny Tuesday afternoon Liverpool football club’s iconic anthem 'You’ll Never Walk Alone' blasted out over Rome film festival's…
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Rome Film Festival 2025
Rome Film Festival 2025: Die My Love (dir. Lynne Ramsay) | Review
Often beautiful and occasionally brilliant, Lynne Ramsay's "Die My Love" features a memorable performance by Jennifer Lawrence.
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Rome Film Festival 2025
Rome Film Festival 2025: Left-Handed Girl (dir. Shih-Ching Tsou) | Review
With the magnificent "Left-Handed Girl," Shih-Ching Tsou sou finds poetry in motion, meaning in the mess.
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Rome Film Festival 2025
Rome Film Festival 2025: Winter of the Crow (dir. Kasia Adamik) | Review
Bleak, haunting, and quietly electrifying, "Winter of the Crow" is a spooky thriller directed by Kasia Adamik and written by…
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Rome Film Festival 2025
Rome Film Festival 2025: Esta Isla (dirs. Lorraine Jones Molina & Cristian Carretero) | Review
"Esta Isla" is a gorgeous, impactful, and emotionally significant tale set on the cinematically underserved Puerto Rico.
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Rome Film Festival 2025
Rome Film Festival 2025: Nouvelle Vague (dir. Richard Linklater) | Review
With "Nouvelle Vague," Richard Linklater delivers a cinephilic love letter to the birth of the French New Wave.
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Rome Film Festival 2025
Rome Film Festival 2025: Spices and Lies (dir. Amine Adjina) | Review
Amine Adjina’s debut feature "Spices and Lies" is a family drama that desperately attempts to blend the personal and the…
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Rome Film Festival 2025
Rome Film Festival 2025: Mad Bills to Pay (dir. Joel Alfonso Vargas) | Review
With "Mad Bills to Pay," Joel Alfonso Vargas announces himself as a bold new voice in American cinema — delivering…
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Berlinale 2025
Berlinale 2025: Hot Milk (dir. Rebecca Lenkiewicz) | Review
Physicality, sensuality and desire take centre stage in Rebecca Lenkiewicz's short but sweet directorial debut.
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