Cannes Film Festival
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Cannes 2026 (Directors’ Fortnight): Gabin (dir. Maxence Voiseux) | Review
Maxence Voiseux offers a condensed portrait of young Gabin’s childhood, having watched him grow over the course of ten years…
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Cannes 2026 (Critics’ Week): La Gradiva | Interview with Marine Atlan
Marine Atlan captures the intense youthful essence through an emotional journey of love and loss in the historic city of…
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Cannes 2026 (Director’s Fortnight): Double Freedom | Interview with Lisandro Alonso
Lisandro Alonso revisits his old friend, Misael 25 years later in yet another spellbinding experience.
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Cannes 2026: Young Japanese Cinema Vying For European Audience
Japan makes its boldest Cannes showing in decades, uniting Palme d’Or contenders, rising talent, and an expanded industry push toward…
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Cannes 2026 (Competition): Paper Tiger (dir. James Gray) | Review
James Gray delivers his career best work in his spellbinding crime thriller about two brothers chasing the American dream.
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Cannes 2026 (Un Certain Regard): Elephants in the Fog | Interview with Abinash Bikram Shah
With the 2026 Un Certain Regard Jury Award winner, "Elephants in the Fog," Abinash Bikram Shah brings the kinner community out…
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Cannes 2026: Korea’s Cannes Moment–A Historic Jury President and A Sci-Fi Sensation
With Park Chan-wook leading the jury and a powerful slate of Korean films in competition, Cannes 2026 is quietly shadowed…
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Cannes 2026 (Competition): Hope (dir. Na Hong-jin) | Review
With "Hope," Na Hong-jin returns to Cannes with an unprecedented global cast in a wild, large-scale thriller — an intense,…
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Cannes 2026 (Competition): A Few Things Happening By A River (dir. Daniel Soares) | Review
An exquisite contemporary fable about our growing impermeability to the natural world, "A Few Things Happening by a River" portrays…
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Cannes 2026 (Competition): The Unknown (dir. Arthur Harari) | Review
"The Unknown" presents a mystifying labyrinth of complex identity issues, separating the physical from the mental through body swapping.
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