Directors Fortnight
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Cannes 2026
Cannes 2026 (Directors’ Fortnight): Gabin (dir. Maxence Voiseux) | Review
Maxence Voiseux offers a condensed portrait of young Gabin’s childhood, having watched him grow over the course of ten years…
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Cannes 2026
Cannes 2026 (Directors’ Fortnight): 9 Temples to Heaven (dir. Sompot Chidgasornpongse) | Review
Realism at its finest. A smooth-sailing study of death, Buddhism, and the philosophical questions that surround them, director Sompot Chidgasornpongse’s…
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Cannes 2026
Cannes 2026 (Directors’ Fortnight): We Are Aliens (dir. Kohei Kadowaki) | Review
Looking for an animated film that will catch you off guard? "We Are Aliens" is a peculiar, groundbreaking psychodrama about…
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Cannes 2026
Cannes 2026 (Directors’ Fortnight): Shana (dir. Lila Pinell) | Review
Misery comes full circle in a fairly tangled tale of endurance and insecurity, intertwined with comedy and fantasy. Eva Huault's…
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Cannes 2025
Cannes 2025: Interview with Dominique Wielinski (Directors’ Factory)
We met French producer Dominique Welinski, the visionary behind the idea of bringing together different young directors to collaborate as…
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Cannes 2025
Cannes 2025 (Directors’ Fortnight): Kokuho | Interview with Sang-il Lee
Seeing Kabuki from within the film: Lee Sang-il’s "Kokuho" unmasks a dying art with intimacy, spectacle, and cinematic grace. We…
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Cannes 2025
Cannes 2025 (Directors’ Fortnight): +10K (dir. Gala Hernández López) | Review
With "+10K," Gala Hernández López delivers a masterfully crafted and exhilarating mid-length hybrid film that probes the manufacturing of dreams…
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Cannes 2025
Cannes 2025: The 10th Directors’ Factory Empowers Promising Filmmakers from Brazil and Beyond
Four powerful short films from Brazil’s Ceará region interweave distinct yet resonant stories of women, crafted through cross-cultural collaborations at…
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Cannes 2025
Cannes 2025 (Directors’ Fortnight): Wild Foxes (dir. Valéry Carnoy) | Review
Healing gets buried. Pain starts to resurface. Self-destruction explodes limitlessly. Valéry Carnoy’s "Wild Foxes" bares its fangs fiercely to unravel…
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Cannes 2025
Cannes 2025: Brand New Landscape | Interview with Yuiga Danzuka
"A generation looking up to something" — as suggested by its Japanese title — marks Yuiga Danzuka’s striking debut at…
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