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Cannes 2024
Cannes 2024 (Competition): The Seed of the Sacred Fig (by Mohammad Rasoulof) | Review
Iranian filmmaker Mohammad Rasoulof returns to the Croisette. A rather special return, since the mullah regime sentenced him to prison,…
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Cannes 2024
Cannes 2024: Interview of Iris Kaltenbäck
French filmmaker Iris Kaltenbäck, who debuted her film "Le Ravissement" at Cannes last year, returns as a Critics' Week juror,…
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Cannes 2024
Cannes 2024 (Competition): The Substance (by Coralie Fargeat) | Review
In "The Substance," a serious Palme d'Or contender, Demi Moore's portrayal of a woman torn between youth and reality under…
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Cannes 2024
Cannes 2024 (Competition): Bird (by Andrea Arnold) | Review
Andrea Arnold's cinema is a sociology of toxic family ties. With "Bird," the British filmmaker adds a welcome touch of…
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Cannes 2024
Cannes 2024 (Competition): Emilia Pérez (by Jacques Audiard) | Review
Warning: a serious contender for the Palme d'Or. French director Jacques Audiard reinvents the musical comedy genre with this incredible…
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Cannes 2024
Cannes 2024 (Competition): Kinds of Kindness (by Yórgos Lánthimos) | Review
Take a quartet of actors, have them play roles in three different, completely madcap stories. The result is this new…
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Cannes 2024
Cannes 2024 (Competition): Megalopolis (by Francis Ford Coppola) | Review
A film that Francis Ford Coppola has been obsessed with for 40 years. Naturally, we can only understand the urgency…
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Cannes 2024
Cannes 2024 (Competition): The Girl with the Needle (by Magnus von Horn) | Review
An atrocious, freely adapted true story, a reflection on the weight of patriarchy and class violence, a magnificent work on…
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Berlinale 2024
Berlinale 2024: Vogter (Competition) | Review
Impeccable acting by the title character, masterful secondary roles, remarkable sound work: Vogter, by Danish director Gustav Möller, would have…
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Berlinale 2024
Berlinale 2024: Gloria! (Competition) | Review
An Italian singer presenting Gloria!, a pop musical at the 74th Berlinale: it has to be said, we weren't really…
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