Belgium
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Cannes 2026
Cannes 2026 (Competition): All of a Sudden (dir. Ryusuke Hamaguchi) | Review
Ryusuke Hamaguchi’s humane drama offers a blossoming friendship amid tragedy, rewiring our perspectives on what truly being alive means.
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Cannes 2026
Cannes 2026 (Un Certain Regard): Forever Your Maternal Animal (dir. Valentina Maurel) | Review
Director Valentina Maurel opens up the concealed layers of womanhood across two dimensions: the silent, non-desperate plea that lingers beneath…
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Cannes 2026
Cannes 2026 (Cannes Premiere): Marie Madeleine (dir. Géssica Généus) | Review
Géssica Généus pulls double duty as director and star in "Marie Madeleine," where taboo and temptation collide against the foundations…
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Berlinale 2026
Berlinale 2026: Dust (dir. Anke Blondé) | Review
Almost a financial thriller, "Dust" unspools the quiet implosion of two self-fashioned tech visionaries, turning corporate bravado into a slow,…
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Berlinale 2026
Berlinale 2026: The Other Side of the Sun (dir. Tawfik Sabouni) | Review
Tawfik Sabouni’s "The Other Side of the Sun" is a devastating, unsensational yet profoundly necessary documentary, as former Sednaya prisoners…
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Berlinale 2026
Berlinale 2026: Everyone’s Sorry Nowadays | Interview with Frederike Migom
In "Everyone’s Sorry Nowadays," Frederike Migom explores the fragile threshold between adolescence and adulthood.
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Berlinale 2026
Berlinale 2026: A Family (dir. Mees Peijnenburg) | Review
"A Family" trains its focus on how familial collapse reshapes children's perspectives — not directly on their parents, but on…
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Berlinale 2026
Berlinale 2026: Iván & Hadoum (dir. Ian de la Rosa) | Review
Unforgiving love goes on a heartfelt battle with discrimination and exploitation in director Ian de la Rosa’s "Iván and Hadoum,"…
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IFFR 2026
IFFR 2026: Conrad & Crab – Idiotic Gems (dir. Claude Schmitz) | Review
IFFR’s "Conrad & Crab — Idiotic Gems" is a humorous, unconventional investigative tale of two veteran detectives whose quest for…
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CINEMANIA 2025
CINEMANIA 2025: Adam’s Sake | Interview with Laura Wandel
"To me, making people feel empathy is the most beautiful thing cinema can offer," says Laura Wandel, who came to…
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