IFF Cologne 2021: Parade | Review
Director Yohann Gloaguen took home the Best Short Film prize from the International Film Festival Cologne, for Parade, a powerful, and poignant tale crafted with mastery and flair, sure to leave audiences affected.
How can a tragedy in the making go unnoticed among a group of friends? This sensitive and poignant topic lies at the core of Yohann Gloaguen’s “Parade” (original title: Cortège), a captivating and visually engaging short film that was shortlisted by the Sundance Film Festival in 2021 and won the Best Short Film prize at the 2nd edition of the International Film Festival Cologne.
From the outset, we meet a group of young men in their twenties, partners in crime who engage in foolish antics that are endearing and amusing. The film adeptly captures the energy and spontaneity of this group through refreshing and entertaining dialogues, offering a vivid sense of life beyond the frame. As a result, there’s genuine excitement in following their adventures and discovering the troubles their antics lead them into.
Within this group is Leo, a young man grappling with the death of his younger sister and questioning his sexuality. However, these concerns remain unaddressed among his friends, whose energy both invigorates and inhibits such discussions. Despite the humor and camaraderie, many of their jokes and remarks unconsciously reinforce a form of masculinity that stifles honest expression and judgment-free communication.
What makes the film particularly compelling is its exploration of the underlying tragedy beneath the surface of seemingly carefree camaraderie. Director Yohann Gloaguen skillfully sheds light on the normalization of language and behaviors that can deeply harm certain group members.
A standout aspect of the film is the empathy evoked for Leo, portrayed with subtle intensity by French actor Antoine Grenier. Leo’s quiet demeanor and emotive eyes add a poetic grace to the character, enhancing the film’s emotional depth.
Visually, “Parade” delivers a captivating cinematic experience with inspired camerawork and mise-en-scène. Director Yohann Gloaguen, alongside Director of Photography Yoann Suberviolle, employs rich composition to imbue the characters and their adventures with power. The film’s aesthetic and tone echo the work of director Romain Gavras, particularly in “The World Is Yours” (2018), where seemingly foolish characters are placed within inventive and electrifying scenes.
Overall, “Parade” is a powerful tale that delicately balances comedy and tragedy, leaving audiences affected and introspective. Gloaguen’s film is sure to resonate deeply, if not leave viewers heartbroken.



