Montreal International Documentary Festival (RIDM)
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RIDM 2025: Agatha’s Almanac | Interview with Amalie Atkins
We had the pleasure of speaking with filmmaker Amalie Atkins about her creative process as she films her aunt, out…
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RIDM 2025: CycleMahesh | Interview with Suhel Banerjee
“There is no innocent filmmaker,” says Suhel Banerjee, who turns a young migrant worker’s odyssey into a deep, hybrid work…
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RIDM 2025: The Blueberry Blues (dir. Andrés Livov) | Review
Presented as the closing film of the 28th RIDM, Andrés Livov’s feature is a warm, gentle embrace; one that accompanies…
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RIDM 2025: Chronicle of a City | Interview with Nadine Gomez
“My pleasure in observing the city is constant and infinite,” Nadine Gomez told us after the Canadian premiere of her…
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RIDM 2025: The World Upside Down | Interview with Agostina Di Luciano & Leon Schwitter
Filmmakers Agostina Di Luciano and Leon Schwitter told us how they created "a dreamy experience” from the myths, hopes, and…
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RIDM 2025: Letters from Wolf Street | Interview with Arjun Talwar & Bigna Tomschin
Arjun Talwar’s "Letters from Wolf Street," which opened RIDM 2025, is a tender, Varda-inspired portrait of everyday encounters that “turns…
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RIDM 2024: Apple Cider Vinegar (dir. Sofia Benoot) | Review
Sofia Benoot launches us on a cosmic journey through a simple natural subject of an earthly matter, stone.
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RIDM 2024: Who Cares? (dir. Alexe Poukine) | Review
Alexe Poukine's latest delves into the human-centered practices emerging in Western Europe's healthcare, capturing intimate, unjudged scenes that underscore the…
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RIDM 2024: When the Phone Rang (dir. Iva Radivojević) | Review
Iva Radivojević’s elliptical and complex film explores the nuances of memory through coming-of-age in a country that no longer exists.
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RIDM 2024: Simon & Marianne (dirs. Pier-Luc Latulippe, Martin Fournier) | Review
The final work involving writer and professor Simon Roy, "Simon & Marianne" delicately and compassionately explores our relationship with illness…
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