Directors Fortnight
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Cannes 2024
Cannes 2024 (Directors’ Fortnight): Christmas Eve in Miller’s Point | Interview of Tyler Taormina
We had a conversation with Tyler Taormina on his latest film "Christmas Eve in Miller’s Point," a freewheeling ensemble holiday…
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Cannes 2024
Cannes 2024 (Directors’ Fortnight): Visiting Hours (by Patricia Mazuy) | Review
French filmmaker Patricia Mazuy’s latest film "Visiting Hours" is a subtly intricate repackaging of familiar themes, anchored by noteworthy lead…
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Cannes 2024
Cannes 2024 (Directors’ Fortnight): Desert of Namibia (by Yôko Yamanaka) | Review
Yôko Yamanaka’s sophomore feature "Desert of Namibia" is a parable of 21st century listlessness that puts the audience in the…
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Cannes 2024
Cannes 2024 (Directors’ Fortnight): The Hyperboreans | Interview of Cristóbal León & Joaquín Cociña
We had a conversation with Chilean filmmakers Cristobal León and Joaquin Cociña on their latest film "The Hyperboreans," which mixes…
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Cannes 2024
Cannes 2024: Directors’ Factory Philippines
The first Directors' Factory to take place in Southeast Asia, this year's program features promising future filmmakers from the Philippines,…
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Cannes 2023
Cannes 2023: Margarethe 89 | Interview of Lucas Malbrun (Directors’ Fortnight)
Following the premiere of his powerful short film at the Directors’ Fortnight, Margarethe 89, director Lucas Malbrun told us about…
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Cannes 2023
Cannes 2023: Riddle of Fire | Interview of Weston Razooli (Directors’ Fortnight)
We had a great time meeting and interviewing Weston Razooli, director of Riddle of Fire, which premiered at the Directors’…
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Uncategorized
Cannes 2023: Directors’ Fortnight Selection Unveiled
The lineup of the 2023 Directors’ Fortnight has just been unveiled by its new General Delegate, Julien Rejl.
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Cannes 2022
Cannes Film Festival 2022: ‘Godland’ Review
Our favourite film of the ‘Un Certain Regard’ section, Hylnur Pálmason’s Godland, delivers his visceral epic in a landscape hellish…
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Cannes 2022
Cannes Film Festival 2022: ‘Funny Pages’ Review
Owen Kline’s debut feature, Funny Pages (Directors’ Fortnight), a fine entry into American independent cinema, goes down a cartoonist rabbit…
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