Germany
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CPH:DOX 2026
CPH:DOX 2026: Scarlet Girls (dir. Paula Cury Melo) | Review
Through a mosaic of poignant testimonies, Paula Cury Melo reveals the deep pain and injustice that Dominican women are forced…
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Berlinale 2026
Berlinale 2026: Gorilla Bathes at Noon (dir. Dušan Makavejev) | Review
In Berlinale’s Retrospective, Dušan Makavejev’s "Gorilla Bathes at Noon" proves once again to be an unmissable, grainy and darkly comic…
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Berlinale 2026
Berlinale 2026: The Weight (dir. Padraic McKinley) | Review
Padraic McKinley's directorial debut is a brooding Depression-era survival tale that carries the weight of its genre heavily on its…
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Berlinale 2026
Berlinale 2026: Everyone’s Sorry Nowadays | Interview with Frederike Migom
In "Everyone’s Sorry Nowadays," Frederike Migom explores the fragile threshold between adolescence and adulthood.
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Berlinale 2026
Berlinale 2026: Rosebush Pruning (dir. Karim Aïnouz) | Review
In Berlinale Competition, "Rosebush Pruning" emerges as a sun-drenched, wickedly entertaining satire from Karim Aïnouz.
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Berlinale 2026
Berlinale 2026: Roya (dir. Mahnaz Mohammadi) | Review
Premiering in Berlinale’s Panorama section as both a clandestine production and a defiant political gesture, Mahnaz Mohammadi’s "Roya" is a…
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Berlinale 2026
Berlinale 2026: Yellow Letters (dir. İlker Çatak) | Review
Berlinale Competition entry "Yellow Letters" offers a dense, nuanced interrogation of sociopolitical vulnerabilities and perceptual bias within power structures. Executed…
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Berlinale 2026
Berlinale 2026: No Good Men (dir. Shahrbanoo Sadat) | Review
"No Good Men" offers a rare and engaging glimpse into the lives of Afghan women working in media, blending romance…
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Berlinale 2026
Berlinale 2026: I Understand Your Displeasure (dir. Kilian Armando Friedrich) | Review
In Kilian Armando Friedrich’s "I Understand Your Displeasure," Sabine Thalau delivers an exceptional dual performance of angelic endurance and demonic…
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Berlinale 2026
Berlinale 2026: Iván & Hadoum (dir. Ian de la Rosa) | Review
Unforgiving love goes on a heartfelt battle with discrimination and exploitation in director Ian de la Rosa’s "Iván and Hadoum,"…
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