Cannes Film Festival
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Cannes 2025 (Critics’ Week): Imago | Interview with Déni Oumar Pitsaev
“To build a house that cannot be destroyed." We interviewed Chechen director Déni Oumar Pitsaev who won L’Oeil d’or, the…
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Cannes 2025: The Secret Agent (dir. Kleber Mendonça Filho) | Review
A love letter to cinema and Recife, Brazil, Kleber Mendonça Filho’s latest examines how we reconstruct the past through an…
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Cannes 2025 (Palme d’Or): It Was Just An Accident (dir. Jafar Panahi) | Review
Jafar Panahi’s Palme d’Or winning film investigates the tortured souls of the oppressed through a moral conundrum.
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Cannes 2025: Interview with Dominique Wielinski (Directors’ Factory)
We met French producer Dominique Welinski, the visionary behind the idea of bringing together different young directors to collaborate as…
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Cannes 2025 (Directors’ Fortnight): Kokuho | Interview with Sang-il Lee
Seeing Kabuki from within the film: Lee Sang-il’s "Kokuho" unmasks a dying art with intimacy, spectacle, and cinematic grace. We…
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Cannes 2025 (ACID): Obscure Night, “Ain’t I a child?” | Interview with Sylvain George
In "Nuit obscure – “Ain’t I a child?”," Sylvain George wields cinema as a political gesture and poetic act, confronting…
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Cannes 2025: Snow Flower | Interview with Chhaya Kadam
Indian actress Chhaya Kadam brings raw emotion, fearless honesty, and Konkan soil to Cannes with "Snow Flower," presented at the…
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Cannes 2025 (Un Certain Regard): Aisha Can’t Fly Away (dir. Morad Mostafa) | Review
Berlinale Talent alumnus Morad Mostafa brings an offbeat yet rebellious film to Un Certain Regard this year, focusing on misogyny…
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Cannes 2025 (Competition): Sentimental Value (dir. Joachim Trier) | Review
Family — a word often wrapped in warmth and love — does not evoke the same feelings in everyone. For…
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Cannes 2025 (Directors’ Fortnight): +10K (dir. Gala Hernández López) | Review
With "+10K," Gala Hernández López delivers a masterfully crafted and exhilarating mid-length hybrid film that probes the manufacturing of dreams…
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