Cannes Film Festival
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Cannes 2025: The 10th Directors’ Factory Empowers Promising Filmmakers from Brazil and Beyond
Four powerful short films from Brazil’s Ceará region interweave distinct yet resonant stories of women, crafted through cross-cultural collaborations at…
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Cannes 2025 (Un Certain Regard): Karavan (dir. Zuzana Kirchnerová) | Review
2009 Cinéfondation Award winner Zuzana Kirchnerová brings "Karavan" to Un Certain Regard this year, presenting a poignant slice of life…
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Cannes 2025 (Un Certain Regard): A Poet (dir. Simón Mesa Soto) | Review
A tragic philosopher lurking in delusion finds purpose through a kindred spirit in this remarkable satirical cinema at its finest.
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Cannes 2025: Arco | Interview with Ugo Bienvenu
"Our superpower is intuition. Machines compute. We feel. Let’s not forget that." We were excited to chat with Ugo Bienvenu…
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Cannes 2025 (Directors’ Fortnight): Wild Foxes (dir. Valéry Carnoy) | Review
Healing gets buried. Pain starts to resurface. Self-destruction explodes limitlessly. Valéry Carnoy’s "Wild Foxes" bares its fangs fiercely to unravel…
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Cannes 2025 (ACID): Drunken Noodles | Interview with Lucio Castro
"We’re human. And humans need love.” We were delighted to meet with Argentinian director Lucio Castro, presenting "Drunken Noodles" at…
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Cannes 2025 (Critics’ Week): Nino (dir. Pauline Loquès) | Review
Théodore Pellerin delivers a remarkable performance as Nino, raggedly heartbreaking as a character whose life is shattered in Pauline Loquès’…
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Cannes 2025 (La Cinef): Talk Me | Interview with Joecar Hanna
“In a world where speech is forbidden, a voice becomes an act of intimacy,” director Joecar Hanna told us, as…
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Cannes 2025: Brand New Landscape | Interview with Yuiga Danzuka
"A generation looking up to something" — as suggested by its Japanese title — marks Yuiga Danzuka’s striking debut at…
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Cannes 2025 (Directors’ Fortnight): Death Does Not Exist | Interview with Félix Dufour-Laperrière
"It is our collective responsibility to keep the world livable and decent," director Félix Dufour-Laperrière told us, as we discussed…
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