Cannes 2021
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Cannes Film Festival 2021: The Tsugua Diaries (Directors’ Fortnight) | Review
Presented at the 2021 Directors' Fortnight, Miguel Gomes and Maureen Fazendeiro’s The Tsugua Diaries cleverly looks at the creative process…
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Cannes Film Festival 2021: The Worst Person In The World | Review
Joachim Trier delivers an inspired, inventive, and poignant contemporary tale on love, anchored by a captivating Renate Reinsve, who was…
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Cannes Film Festival 2021: ‘Ahed’s Knee’ Review
Aggression and Self-Reflection through Cinema: Nadav Lapid’s personal rage in Ahed’s Knee, presented in official selection at the 74th Cannes…
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Cannes 2021: Zero Fucks Given | Interview of Emmanuel Marre & Julie Lecoustre
We met Directors Emmanuel Marre and Julie Lecoustre, the filmmakers behind Zero Fucks Given (Rien à foutre), starring Adèle Exarchopoulos,…
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Cannes Film Festival 2021: Red Rocket (Sean Baker) | Review
Sean Baker examines the chaotic result of American narcissism, sex work, and egoism in Red Rocket with a stunning performance…
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Cannes Film Festival 2021: The Braves (Directors’ Fortnight) | Interview of Anaïs Volpé
We sat down with director Anaïs Volpé who presented The Braves (Entre les vagues), her second feature film at the…
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Cannes Film Festival 2021: The Braves (Directors’ Fortnight) | Interview of Déborah Lukumuena
We were lucky to sit down with French actress Déborah Lukumuena who is stunning, alongside Souheila Yacoub, in Anaïs Volpé’s…
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Cannes Film Festival 2021: The Braves (Directors’ Fortnight) | Interview of Souheila Yacoub
French actress Souheila Yacoub is mesmerizing, alongside Déborah Lukumuena, in Anaïs Volpé’s Entre les vagues (The Braves), presented at the…
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Cannes Film Festival 2021: The Divide | Review
Riveting French drama The Divide (La Fracture) set in the context of the Yellow Vests movement, full of mastery and strength,…
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Cannes Film Festival 2021: The Hill Where Lionesses Roar (Directors’ Fortnight) | Review
Luàna Bajrami's debut feature is a refreshing and tender look at the struggles of youth in Kosovo.
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