TIFF 2023

TIFF 2023: In The Rearview (by Maciek Hamela) | Review

In the Rearview is an emotionally gripping and essential documentary that powerfully humanizes the devastating consequences of war, offering an intimate and poignant look at the lives of those caught in its relentless path.

In the Rearview, directed by Maciek Hamela, is a truly remarkable documentary that had its North American premiere at the 2023 Toronto International Film Festival, following a brilliant early festival career at Sheffield DocFest and ACID Cannes, to name but a few. The film sheds a much-needed light on the devastating consequences of the Russian invasion in Ukraine.

Hamela’s documentary primarily follows a van driven by a volunteer from Poland, who selflessly enables Ukrainian families and residents to evacuate the war-torn country towards the safety of Poland. The roads and villages they traverse have been devastated by the conflict, and within the van, we find a diverse group of people, including children and older individuals, each carrying their own trauma and heart-wrenching stories of how the war has torn their lives apart.

In the Rearview is a poignant and powerful collection of human stories that go beyond the figures of the war, offering audiences an inside glimpse into the faces of those suffering the consequences of the invasion daily. The film is an intimate, touching, and at times, gut-wrenching portrayal of real people trying to leave their trauma behind while carrying with them their last hopes and dreams.

What’s particularly impressive is how the film captures the loss of innocence in the children who are acutely aware of the dangers that surround them in this war. These moments are among the most wrenching scenes in the film.

In the Rearview never indulges in sensationalism but rather chronicles the journey of its subjects with empathy and respect. The setting, confined to the van driving towards the Polish border, adds an intriguing layer to the storytelling, creating a sense of intimacy and immediacy that is deeply affecting.

The film is well edited and well-constructed, making it a powerful testimonial from the inside. The documentary excels in providing a comprehensive and emotional look at the lives of its subjects. It lays bare the harsh reality of their experiences, and by doing so, it becomes a compelling and essential piece of storytelling.

In the Rearview is a film that could easily last four hours or more, yet every moment is fascinating and emotionally gripping. It skillfully documents real stories from the war, offering an important and timely perspective on a topic that demands our attention and empathy. This documentary is a testament to the resilience of the human spirit in the face of unimaginable adversity, and it deserves to be known by the world at large. Hamela’s work here is nothing short of extraordinary, and In the Rearview is a triumph in the world of documentary filmmaking.

Mehdi Balamissa

Mehdi is a French documentary filmmaker based in Montréal, Canada. Besides presenting his work at festivals around the world, he has been working for a number of organizations in film distribution (ARTE, Studiocanal, Doc Edge, RIDM…) and programming (Austin Film Festival, FIPADOC). He founded Film Fest Report to share his passion for film festivals and independent cinema.

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