RIDM 2025
    4 days ago

    RIDM 2025: Agatha’s Almanac | Interview with Amalie Atkins

    We had the pleasure of speaking with filmmaker Amalie Atkins about her creative process as she films her aunt, out of which emerges a luminous intergenerational dialogue rooted in genuine…
    Spotlight: Emerging European Talents
    4 days ago

    PÖFF 2025: La Carn | Interview with Joan Porcel

    We met filmmaker Joan Porcel whose feature "La Carn" follows a young dancer journeying through the digital underworld.
    RIDM 2025
    2 weeks ago

    RIDM 2025: CycleMahesh | Interview with Suhel Banerjee

    “There is no innocent filmmaker,” says Suhel Banerjee, who turns a young migrant worker’s odyssey into a deep, hybrid work that reflects on class, landscape, and what cinema can reveal.
    Tallinn Black Nights Film Festival (PÖFF) 2025
    3 weeks ago

    PÖFF 2025: China Sea | Interview with Jurgis Matulevičius

    "China Sea" probes the wounds of a generation as Jurgis Matulevičius follows an angry young man “trying to change” in a world that keeps dragging him back.
    RIDM 2025
    3 weeks ago

    RIDM 2025: The Blueberry Blues (dir. Andrés Livov) | Review

    Presented as the closing film of the 28th RIDM, Andrés Livov’s feature is a warm, gentle embrace; one that accompanies grief and guides us toward the light.
    RIDM 2025
    3 weeks ago

    RIDM 2025: Chronicle of a City | Interview with Nadine Gomez

    “My pleasure in observing the city is constant and infinite,” Nadine Gomez told us after the Canadian premiere of her latest film, "Chronicle of a City" at RIDM 2025.
    RIDM 2025
    3 weeks ago

    RIDM 2025: The World Upside Down | Interview with Agostina Di Luciano & Leon Schwitter

    Filmmakers Agostina Di Luciano and Leon Schwitter told us how they created "a dreamy experience” from the myths, hopes, and everyday lives of rural Argentina.
    EnergaCAMERIMAGE 2025
    4 weeks ago

    EnergaCAMERIMAGE 2025: Father (dir. Tereza Nvotová) | Review

    "Father" makes you reflect on human behaviour—our capacity to forget, our instinct to endure—and gently asks what we might do in the same situation. How would we react? And is…
    RIDM 2025
    4 weeks ago

    RIDM 2025: Letters from Wolf Street | Interview with Arjun Talwar & Bigna Tomschin

    Arjun Talwar’s "Letters from Wolf Street," which opened RIDM 2025, is a tender, Varda-inspired portrait of everyday encounters that “turns the gaze around so the immigrant looks at the other.”
    EnergaCAMERIMAGE 2025
    November 20, 2025

    EnergaCAMERIMAGE 2025: Raptures (dir. Jon Blåhed) | Review

    At Energa CAMERIMAGE’s 33rd edition, Jon Blåhed’s "Raptures" distinguished itself with its stark visual poetry and gripping exploration of cult, faith, and survival.
    EnergaCAMERIMAGE 2025
    November 19, 2025

    EnergaCAMERIMAGE 2025: Nuremberg (dir. James Vanderbilt) | Review

    James Vanderbilt’s "Nuremberg" revisits the postwar trials with commanding performances—particularly from Russell Crowe—even as its restrained visual style keeps the historical drama from reaching its full cinematic force.
    EnergaCAMERIMAGE 2025
    November 19, 2025

    EnergaCAMERIMAGE 2025: Girl (dir. Qi Shu) | Review

    In her stark and stirring directorial debut "Girl," Shu Qi delivers a haunting portrait of girlhood shaped by violence, resilience, and the quiet, defiant search for freedom in 1980s Taipei.
    Tallinn Black Nights Film Festival (PÖFF) 2025
    November 18, 2025

    PÖFF 2025: Pretty Young Love | Interview with Mogens Hagedorn

    "You are a fantastic human being, whoever you are — listen to your inner voice," says director Mogens Hagedorn, sharing the main message of his feature "Pretty Young Love" at…
    Tallinn Black Nights Film Festival (PÖFF) 2025
    November 18, 2025

    PÖFF 2025: 18 Holes to Paradise | Interview with João Nuno Pinto

    “We are walking to the edge of existence and it doesn’t stop,” João Nuno Pinto observes, as his third feature "18 Holes to Paradise" examines family, legacy, and society’s slow…
    EnergaCAMERIMAGE 2025
    November 18, 2025

    EnergaCAMERIMAGE 2025: Sand City | Interview with Mahde Hasan

    “I wanted to explore urban fragility and human connection,” director Mahde Hasan told us, as "Sand City" was presented at the 33rd EnergaCAMERIMAGE.
    CINEMANIA 2025
    November 16, 2025

    CINEMANIA 2025: Untamable | Interview with Thomas Ngijol

    “For a child of immigrants, to return to the country and make this film is an accomplishment for me,” Thomas Ngijol told us about his feature "Untamable," shot in Cameroon.
    Tallinn Black Nights Film Festival (PÖFF) 2025
    November 16, 2025

    PÖFF 2025: Goodbye Sisters | Interview with Alexander Murphy

    “I wanted to show what it was like to leave your own country,” Alexander Murphy says, as his debut "Goodbye Sisters" follows Jamuna’s poignant return to her remote village before…
    CINEMANIA 2025
    November 13, 2025

    CINEMANIA 2025: Interview with Félix Lefebvre

    The French actor revealed in François Ozon’s "Summer of 85" looks back on his early career: moving audiences through emotion and empathy, and continuing to explore new horizons without being…
    CINEMANIA 2025
    November 12, 2025

    CINEMANIA 2025: Adam’s Sake | Interview with Laura Wandel

    "To me, making people feel empathy is the most beautiful thing cinema can offer," says Laura Wandel, who came to present "Adam's Sake" at CINEMANIA.
    CINEMANIA 2025
    November 10, 2025

    CINEMANIA 2025: Sirât (dir. Óliver Laxe) | Review

    What if Óliver Laxe's "Sirât" were a fable about climate change — a vision of humanity’s final hours?
    Nordisk Panorama 2025
    November 10, 2025

    Nordisk Panorama 2025: Teenage Life Interrupted (dir. Åse Svenheim Drivenes) | Review

    "Teenage Life Interrupted" is a plea for a more humane kind of medicine — one grounded in empathy, care, and genuine listening.
    CINEMANIA 2025
    November 8, 2025

    CINEMANIA 2025: Love Letters | Interview with Monia Chokri & Alice Douard

    Monia Chokri and Alice Douard reflect on their collaboration in Love Letters, an intimate, romantic, and political comedy that unfolds within a remarkable, shimmering aesthetic.
    Montclair Film Festival 2025
    November 7, 2025

    Highlights from the Montclair Film Festival 2025

    From daring reimaginings to masterful homages, the 14th Montclair Film Festival proved a feast for cinephiles—spotlighting bold visions from Nia DaCosta to Park Chan-wook, BI Gan, and Richard Linklater.
    CINEMANIA 2025
    November 6, 2025

    CINEMANIA 2025: The Little Sister | Interview with Nadia Melliti

    Actress Nadia Melliti impresses as much with her on-screen magnetism as with the sincerity and generosity she brings when talking about her first experience in film.
    Rome Film Festival 2025
    November 2, 2025

    Rome Film Festival 2025: Once Upon a Time in Gaza (dirs. Arab & Tarzan Nasser) | Review

    In "Once Upon a Time in Gaza," the Nasser brothers return to their homeland with a bold blend of realism and satire that captures the darkly absurd pulse of life…
    Rome Film Festival 2025
    November 2, 2025

    Rome Film Festival 2025: Kenny Dalglish (dir. Asif Kapadia) | Review

    On a sunny Tuesday afternoon Liverpool football club’s iconic anthem 'You’ll Never Walk Alone' blasted out over Rome film festival's red carpet, celebrating the premiere of Asif Kapadia’s new documentary…
    Nordisk Panorama 2025
    October 31, 2025

    Nordisk Panorama 2025: Only on Earth (dir. Robin Petré) | Review

    With poetic restraint and visceral force, "Only on Earth" captures a land on the brink, where fire, dust, and dwindling herds trace the contours of a story of survival.
    Rome Film Festival 2025
    October 29, 2025

    Rome Film Festival 2025: Die My Love (dir. Lynne Ramsay) | Review

    Often beautiful and occasionally brilliant, Lynne Ramsay's "Die My Love" features a memorable performance by Jennifer Lawrence.
    Rome Film Festival 2025
    October 29, 2025

    Rome Film Festival 2025: Left-Handed Girl (dir. Shih-Ching Tsou) | Review

    With the magnificent "Left-Handed Girl," Shih-Ching Tsou sou finds poetry in motion, meaning in the mess.
    Rome Film Festival 2025
    October 26, 2025

    Rome Film Festival 2025: Winter of the Crow (dir. Kasia Adamik) | Review

    Bleak, haunting, and quietly electrifying, "Winter of the Crow" is a spooky thriller directed by Kasia Adamik and written by Sandra Buchta.
    Rome Film Festival 2025
    October 26, 2025

    Rome Film Festival 2025: Esta Isla (dirs. Lorraine Jones Molina & Cristian Carretero) | Review

    "Esta Isla" is a gorgeous, impactful, and emotionally significant tale set on the cinematically underserved Puerto Rico.
    Rome Film Festival 2025
    October 24, 2025

    Rome Film Festival 2025: Nouvelle Vague (dir. Richard Linklater) | Review

    With "Nouvelle Vague," Richard Linklater delivers a cinephilic love letter to the birth of the French New Wave.
    Rome Film Festival 2025
    October 24, 2025

    Rome Film Festival 2025: Spices and Lies (dir. Amine Adjina) | Review

    Amine Adjina’s debut feature "Spices and Lies" is a family drama that desperately attempts to blend the personal and the political, the culinary with the comic, but ultimately serves up…
    Rome Film Festival 2025
    October 24, 2025

    Rome Film Festival 2025: Mad Bills to Pay (dir. Joel Alfonso Vargas) | Review

    With "Mad Bills to Pay," Joel Alfonso Vargas announces himself as a bold new voice in American cinema — delivering a tender, political, and irresistibly alive debut that turns the…
    Nordisk Panorama 2025
    September 21, 2025

    Nordisk Panorama 2025: Ovary-Acting (dir. Ida Melum) | Review

    Through the endearing characters of Eva and Ovy, and with a skillful play on words as its title, Ida Melum opens the discussion on the perception of motherhood in our…
    Melbourne International Film Festival 2025
    September 16, 2025

    Melbourne IFF 2025: Late Shift (dir. Petra Biondina Volpe) | Review

    MIFF’s selection on the late-night shifts of nurses places a huge weight on our shoulders to comprehend both their plight and the value of humanity in Petra Biondina Volpe’s "Heldin,"…
    Melbourne International Film Festival 2025
    September 16, 2025

    Melbourne IFF 2025: Lucky Lu (dir. Lloyd Lee Choi) | Review

    Director Lloyd Lee Choi’s answer to "The Story of Souleymane" takes a roller coaster ride into the volatile moments of an Asian immigrant in New York City, where misery comes…
    Spotlight: Female and Non-Binary Filmmakers
    September 11, 2025

    Venice 2025: A Soil, A Culture, A River, A People | Interview with Viv Li

    Viv Li, the director of a mesmeric short "A Soil, A Culture, A River, A People" that premiered at the 82nd Venice film festival, met with us to share a…
    Indie Street Film Festival 2025
    September 9, 2025

    Indie Street Film Festival 2025: Trash Baby | Interview with Jacy Mairs

    "Trash Baby" is a heartfelt, nostalgic coming-of-age film that lovingly captures the messy, magical world of growing up in early-2000s trailer park culture.
    Venice Film Festival 2025
    September 8, 2025

    Venice 2025: Human Resource | Interview with Nawapol Thamrongrattanarit

    A haunting yet tender portrait of contemporary life, Human Resource by Nawapol Thamrongrattanarit premiered in Venice. We sat down with the Thai director for an interview. 
    Venice Film Festival 2025
    September 5, 2025

    Venice 2025: Lost Land | Interview with Akio Fujimoto, Kazutaka Watanabe, and Sujauddin Karimuddin

    “There is no voice and no past… unless we preserve it” — The creators of "Lost Land" on making the first Rohingya-language film and reclaiming a culture threatened with erasure.
    Venice Film Festival 2025
    September 4, 2025

    Venice 2025: La Gioia (dir. Nicolangelo Gelormini) | Review

    "La Gioia" (2025) is a popping blend of innocence and despair, an exploration of youth and (im)maturity and a kind gaze on the inevitable destinies of its marginalised characters. Nicolangelo…
    Venice Film Festival 2025
    September 4, 2025

    Venice 2025: Jay Kelly (dir. Noah Baumbach) | Review

    Noah Baumbach’s latest feature about an actor taking stock of his life work (and life regrets) with Clooney in his regularly suave and self-impressed swagger had its premiere at the…
    Spotlight: Emerging European Talents
    September 3, 2025

    Venice 2025: Short Summer (dir. Nastia Korkia) | Review

    "Short Summer" depicts the Russian childhood during wartime from a naturalistic lens, evoking the memories and small details that shape us.
    Venice Film Festival 2025
    September 1, 2025

    Venice 2025: Strange River | Interview with Jaume Claret Muxart

    "When you imagine something really strong at that age, it gets real, because what is imaginary is also physical," director Jaume Claret Muxart explained, as Strange River premiered in Venice.
    Venice Film Festival 2025
    September 1, 2025

    Venice 2025: La Grazia (dir. Paolo Sorrentino) | Review

    Sorretino’s return to form and reunification with long time muse Toni Servillo as president of Italy who is considering his legacy as his term ends opened the 82nd Venice Film…
    Spotlight: Documentary
    September 1, 2025

    Venice 2025: Waking Hours | Interview with Federico Cammarata & Filippo Foscarini

    "We wanted to transmit, at least partially, the experience of being lost in a forest in which at night you cannot sleep," the Italian co-directors told us as "Waking Hours"…
    Sarajevo Film Festival 2025
    September 1, 2025

    Sarajevo Film Festival 2025: Paolo Sorrentino’s Masterclass

    The guest of honor of the 31st Sarajevo Film Festival, Paolo Sorrentino, offered audiences a generous masterclass, full of passion, reflections and food for thoughts.
    Sarajevo Film Festival 2025
    August 29, 2025

    Sarajevo Film Festival 2025: In conversation with Sergei Loznitsa

    Sarajevo was the perfect place to finally sit down with Sergei Loznitsa to discuss his vision of cinema and his latest work, "Two Prosecutors."
    Sarajevo Film Festival 2025
    August 17, 2025

    Sarajevo Film Festival 2025: Otter | Interview with Srđan Vuletić

    “You cannot run away from pain,” Bosnian director Srđan Vuletić told us as we spoke about "Otter," his film that premiered at the 31st Sarajevo Film Festival and delves into…

    Cannes 2025

      June 5, 2025

      Cannes 2025 (Critics’ Week): Imago | Interview with Déni Oumar Pitsaev

      “To build a house that cannot be destroyed." We interviewed Chechen director Déni Oumar Pitsaev who won L’Oeil d’or, the…
      May 28, 2025

      Cannes 2025: The Secret Agent (dir. Kleber Mendonça Filho) | Review

      A love letter to cinema and Recife, Brazil, Kleber Mendonça Filho’s latest examines how we reconstruct the past through an…
      May 25, 2025

      Cannes 2025 (Palme d’Or): It Was Just An Accident (dir. Jafar Panahi) | Review

      Jafar Panahi’s Palme d’Or winning film investigates the tortured souls of the oppressed through a moral conundrum.
      May 25, 2025

      Cannes 2025: Interview with Dominique Wielinski (Directors’ Factory)

      We met French producer Dominique Welinski, the visionary behind the idea of bringing together different young directors to collaborate as…
      May 24, 2025

      Cannes 2025 (Directors’ Fortnight): Kokuho | Interview with Sang-il Lee

      Seeing Kabuki from within the film: Lee Sang-il’s "Kokuho" unmasks a dying art with intimacy, spectacle, and cinematic grace. We…
      May 24, 2025

      Cannes 2025 (ACID): Obscure Night, “Ain’t I a child?” | Interview with Sylvain George

      In "Nuit obscure – “Ain’t I a child?”," Sylvain George wields cinema as a political gesture and poetic act, confronting…
      May 24, 2025

      Cannes 2025: Snow Flower | Interview with Chhaya Kadam

      Indian actress Chhaya Kadam brings raw emotion, fearless honesty, and Konkan soil to Cannes with "Snow Flower," presented at the…
      May 24, 2025

      Cannes 2025 (Un Certain Regard): Aisha Can’t Fly Away (dir. Morad Mostafa) | Review

      Berlinale Talent alumnus Morad Mostafa brings an offbeat yet rebellious film to Un Certain Regard this year, focusing on misogyny…
      May 22, 2025

      Cannes 2025 (Competition): Sentimental Value (dir. Joachim Trier) | Review

      Family — a word often wrapped in warmth and love — does not evoke the same feelings in everyone. For…
      May 22, 2025

      Cannes 2025 (Directors’ Fortnight): +10K (dir. Gala Hernández López) | Review

      With "+10K," Gala Hernández López delivers a masterfully crafted and exhilarating mid-length hybrid film that probes the manufacturing of dreams…
      May 22, 2025

      Cannes 2025: The 10th Directors’ Factory Empowers Promising Filmmakers from Brazil and Beyond

      Four powerful short films from Brazil’s Ceará region interweave distinct yet resonant stories of women, crafted through cross-cultural collaborations at…
      May 22, 2025

      Cannes 2025 (Un Certain Regard): Karavan (dir. Zuzana Kirchnerová) | Review

      2009 Cinéfondation Award winner Zuzana Kirchnerová brings "Karavan" to Un Certain Regard this year, presenting a poignant slice of life…
      May 22, 2025

      Cannes 2025 (Un Certain Regard): A Poet (dir. Simón Mesa Soto) | Review

      A tragic philosopher lurking in delusion finds purpose through a kindred spirit in this remarkable satirical cinema at its finest.
      May 21, 2025

      Cannes 2025: Arco | Interview with Ugo Bienvenu

      "Our superpower is intuition. Machines compute. We feel. Let’s not forget that." We were excited to chat with Ugo Bienvenu…
      May 21, 2025

      Cannes 2025 (Directors’ Fortnight): Wild Foxes (dir. Valéry Carnoy) | Review

      Healing gets buried. Pain starts to resurface. Self-destruction explodes limitlessly. Valéry Carnoy’s "Wild Foxes" bares its fangs fiercely to unravel…
      May 21, 2025

      Cannes 2025 (ACID): Drunken Noodles | Interview with Lucio Castro

      "We’re human. And humans need love.” We were delighted to meet with Argentinian director Lucio Castro, presenting "Drunken Noodles" at…
      May 21, 2025

      Cannes 2025 (Critics’ Week): Nino (dir. Pauline Loquès) | Review

      Théodore Pellerin delivers a remarkable performance as Nino, raggedly heartbreaking as a character whose life is shattered in Pauline Loquès’…
      May 20, 2025

      Cannes 2025 (La Cinef): Talk Me | Interview with Joecar Hanna

      “In a world where speech is forbidden, a voice becomes an act of intimacy,” director Joecar Hanna told us, as…
      May 20, 2025

      Cannes 2025: Brand New Landscape | Interview with Yuiga Danzuka

      "A generation looking up to something" — as suggested by its Japanese title — marks Yuiga Danzuka’s striking debut at…
      May 20, 2025

      Cannes 2025 (Directors’ Fortnight): Death Does Not Exist | Interview with Félix Dufour-Laperrière

      "It is our collective responsibility to keep the world livable and decent," director Félix Dufour-Laperrière told us, as we discussed…
      May 20, 2025

      Cannes 2025: Tell Her I Love Her (dir. Romane Bohringer) | Review

      Cannes Special Screenings selection "Tell Her I Love Her" finds answers in Autain’s questions and finds truth in Bohringer’s pain,…
      May 19, 2025

      Cannes 2025 (Directors’ Fortnight): Mirrors No. 3 (dir. Christian Petzold) | Review

      Christian Petzold’s "Mirrors No. 3" drifts like a quiet spell through grief and substitution, asking whether healing means becoming whole—or…
      May 19, 2025

      Cannes 2025 (Un Certain Regard): Meteors (dir. Hubert Charuel) | Review

      Paul Kircher shines brightly in Un Certain Regard’s best-kept powerhouse "Meteors," where two souls in unspoken alliance and dissonant rhythms…
      May 19, 2025

      Cannes 2025 (Directors’ Fortnight): Enzo (dirs. Laurent Cantet, Robin Campillo) | Review

      "Enzo" opened the Quinzaine with a tender, quietly powerful portrait of a young adult seeking his place.

      Berlinale 2025

        Berlinale 2025
        April 23, 2025

        Berlinale 2025: Delicious (dir. Nele Mueller-Stöfen) | Review

        "Delicious" (Panorama section) is an unusual platter of distress and manipulation that lays its territory for a sweet revenge on…
        Berlinale 2025
        March 6, 2025

        Berlinale 2025: Ceasefire (dir. Jakob Krese) | Review

        In "Ceasefire," Jakob Krese bears witness to a life suspended, where past wounds refuse to fade.
        Berlinale 2025
        March 4, 2025

        Berlinale 2025: Hot Milk (dir. Rebecca Lenkiewicz) | Review

        Physicality, sensuality and desire take centre stage in Rebecca Lenkiewicz's short but sweet directorial debut. 
        Berlinale 2025
        February 26, 2025

        Berlinale 2025: Dreams (Sex Love) (dir. Dag Johan Haugerud) | Review

        The unexpected 2025 Golden Bear winner delivers a thought-provoking meditation on consent, power, and perception through a distinctly female-centered narrative.
        Berlinale 2025
        February 26, 2025

        Berlinale 2025: Night Stage (dirs. Marcio Reolon & Filipe Matzembacher) | Review

        There’s much to admire in "Night Stage," Filipe Matzembacher and Marcio Relon’s third feature film, set in Porto Alegre.
        Berlinale 2025
        February 26, 2025

        Berlinale 2025: The Light (dir. Tom Tykwer) | Review

        "Run Lola Run" director Tom Tykwer falls short with "The Light," a muddled film that fails to do justice to…
        Berlinale 2025
        February 24, 2025

        Berlinale 2025: Dreams (dir. Michel Franco) | Review

        Anchored by Jessica Chastain and acclaimed Mexican dancer Isaac Hernández, "Dreams" is a powerful, prescient meditation on immigration.
        Berlinale 2025
        February 21, 2025

        Berlinale 2025: Night Stage | Interview with Marcio Reolon & Filipe Matzembacher

        "You’ll see a bit of noir, neo-noir, and eroticism, all blending danger and desire." We interviewed Brazilian directors Filipe Matzembacher and…
        Berlinale 2025
        February 21, 2025

        Berlinale 2025: Blue Moon (dir. Richard Linklater) | Review

        Richard Linklater and Ethan Hawke’s latest collaboration ignites with a fizzling intensity of emotion, whiskey, and unfulfilled desire.
        Berlinale 2025
        February 21, 2025

        Berlinale 2025: Shadowbox | Interview with Tanushree Das, Saumyananda Sahi and Tillotama Shome

        Rooted in deeply personal experiences, "Baksho Bondi" is a labour of love for directors Tanushree Das and Saumyananda Sahi, who,…
        Berlinale 2025
        February 19, 2025

        Berlinale 2025: In Retrospect (dirs. Daniel Asadi Faezi & Mila Zhluktenko) | Review

        Exploring the history of an everyday place, Daniel Asadi Faezi and Mila Zhluktenko craft a collage that echoes the past…
        Berlinale 2025
        February 19, 2025

        Berlinale 2025: Village Rockstars 2 | Interview with Rima Das & Bhanita Das

        Music and nature make "Village Rockstars 2" stand out. We were delighted to meet director Rima Das and young actress…
        Berlinale 2025
        February 18, 2025

        Berlinale 2025: The Incredible Snow Woman (dir. Sébastien Betbeder) | Review

        Starring Blanche Gardin, "The Incredible Snow Woman" captures a woman on the edge, presenting a radical, empowering perspective on how…
        Berlinale 2025
        February 18, 2025

        Berlinale 2025: Where the Night Stands Still | Interview with Liryc Dela Cruz

        Finding roots and family in a distant community: we interviewed director Liryc Dela Cruz at the 75th Berlinale.
        Berlinale 2025
        February 17, 2025

        Berlinale 2025: The Narrow Road to the Deep North (dir. Justin Kurzel) | Review

        "The Narrow Road to the Deep North" subtly understands the complexity and contradictions of what it means to be alive,…
        Berlinale 2025
        February 16, 2025

        Berlinale 2025: Shadowbox (dirs. Tanushree Das & Saumyananda Sahi) | Review

        Set in Kolkata, "Baksho Bondi" ("Shadowbox") tells a tale of resilience and strength in facing any challenge head-on until a…
        Back to top button