Cannes Film Festival
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Cannes 2025: Tell Her I Love Her (dir. Romane Bohringer) | Review
Cannes Special Screenings selection "Tell Her I Love Her" finds answers in Autain’s questions and finds truth in Bohringer’s pain,…
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Cannes 2025 (Directors’ Fortnight): Mirrors No. 3 (dir. Christian Petzold) | Review
Christian Petzold’s "Mirrors No. 3" drifts like a quiet spell through grief and substitution, asking whether healing means becoming whole—or…
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Cannes 2025 (Un Certain Regard): Meteors (dir. Hubert Charuel) | Review
Paul Kircher shines brightly in Un Certain Regard’s best-kept powerhouse "Meteors," where two souls in unspoken alliance and dissonant rhythms…
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Cannes 2025 (Directors’ Fortnight): Enzo (dirs. Laurent Cantet, Robin Campillo) | Review
"Enzo" opened the Quinzaine with a tender, quietly powerful portrait of a young adult seeking his place.
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Cannes 2025 (Directors’ Fortnight): Death Does Not Exist (dir. Félix Dufour-Laperrière) | Review
Félix Dufour-Laperrière finds beauty in resistance and identity in his haunting yet deeply hopeful animated film "Death Does Not Exist"…
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International Sámi Film Institute to Collaborate with the Academy of Motion Picture Arts and Sciences
International Sámi Film Institute Announces at Cannes New Partnership with the Academy’s Nicholl Fellowships in Screenwriting
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Cannes 2025 (Critics’ Week): Love Letters (dir. Alice Douard) | Review
"Love Letters" is a striking feature debut, presenting love as the shining armor amidst thorny obstacles—elevated by Douard’s visionary direction…
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Cannes 2025 (Competition): The Little Sister (dir. Hafsia Herzi) | Review
In "The Little Sister," director Hafsia Herzi crafts a tender portrait of a young woman who resists not by shouting—but…
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Cannes 2025 (Critics’ Week): A Useful Ghost (dir. Ratchapoom Boonbunchachoke) | Review
A vacuum cleaner possessed by a kind spirit gets a death-changing assignment in Ratchapoom Boonbunchachoke’s witty horrormedy infused with sentimental…
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Cannes 2025 (Competition): Two Prosecutors (dir. Sergei Loznitsa) | Review
In "Two Prosecutors," Sergei Loznitsa turns a stark lens on Stalinist terror, tracing the quiet unraveling of a young idealist…
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