Venice Film Festival 2024
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Venice 2024 (Orizzonti Extra): Le mohican (by Frédéric Farrucci) | Review
A radical attempt. A pursuit of manhunt. A revolutionary transformation. Orizzonti Extra selection "Le mohican" by Frédéric Farrucci is a…
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Venice 2024 (Competition): Babygirl (by Halina Reijn) | Review
"Babygirl," which premiered at the 81st Venice Film Festival, finds Nicole Kidman besotted with a younger man only a few…
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Venice 2024 (Orizzonti): Wishing on a Star | Interview of Péter Kerekes
We interviewed director Péter Kerekes, whose latest, "Wishing on a Star," takes us on a magical journey of self-discovery.
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Venice 2024 (Competition): Campo di battaglia (by Gianni Amelio) | Review
I applauded with energy when the closing credits rolled on "Campo di battaglia," touched and humbled by the gentleness that…
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Venice 2024 (Orizzonti): My Everything (by Anne-Sophie Bailly) | Review
Laure Calamy returns to Venice Orizzonti centering on motherhood once again after "À plein temps" (2021). This time, she is…
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Venice 2024 (Competition): Maria (by Pablo Larraín) | Review
Pablo Larraín adds another disintegrating diva to Jackie (2016) and Spencer (2021) with Maria which premiered at the 81st Venice…
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Venice 2024 (Out of Competition): Separated (by Errol Morris) | Review
Celebrated director of the renowned documentary "The Thin Blue Line" (1988), Errol Morris, exhibits a timely reminder of the vicious…
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Venice 2024 (Orizzonti): Who Loves the Sun (by Arshia Shakiba) | Review
In a suffocating film, men turned makeshift oil refiners work a decaying oil site in northern Syria. Visually stunning, Arshia…
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Venice 2024 (Orizzonti): Nonostante (by Valerio Mastandrea) | Review
Venice Orizzonti’s opening film, "Nonostante," by renowned actor Valerio Mastandrea, premiered with a special message: always maintain an optimistic outlook…
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