Belgium
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Berlinale 2026
Berlinale 2026: Iván & Hadoum (dir. Ian de la Rosa) | Review
Unforgiving love goes on a heartfelt battle with discrimination and exploitation in director Ian de la Rosa’s "Iván and Hadoum,"…
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IFFR 2026
IFFR 2026: Conrad & Crab – Idiotic Gems (dir. Claude Schmitz) | Review
IFFR’s "Conrad & Crab — Idiotic Gems" is a humorous, unconventional investigative tale of two veteran detectives whose quest for…
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CINEMANIA 2025
CINEMANIA 2025: Adam’s Sake | Interview with Laura Wandel
"To me, making people feel empathy is the most beautiful thing cinema can offer," says Laura Wandel, who came to…
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Spotlight: Female and Non-Binary Filmmakers
Venice 2025: A Soil, A Culture, A River, A People | Interview with Viv Li
Viv Li, the director of a mesmeric short "A Soil, A Culture, A River, A People" that premiered at the…
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Melbourne International Film Festival 2025
Melbourne IFF 2025: The Mysterious Gaze of the Flamingo (dir. Diego Céspedes) | Review
Diego Céspedes showcases a mysterious world where a plague spreads through a single gaze between men in love, in a…
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Karlovy Vary IFF 2025
Karlovy Vary 2025: Before / After | Interview with Manoël Dupont
For director Manoël Dupont, cinema is not about giving answers; it’s about creating a space to get lost, stumble into…
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Cannes 2025
Cannes 2025 (Critics’ Week): Imago | Interview with Déni Oumar Pitsaev
“To build a house that cannot be destroyed." We interviewed Chechen director Déni Oumar Pitsaev who won L’Oeil d’or, the…
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Cannes 2025
Cannes 2025 (Directors’ Fortnight): Wild Foxes (dir. Valéry Carnoy) | Review
Healing gets buried. Pain starts to resurface. Self-destruction explodes limitlessly. Valéry Carnoy’s "Wild Foxes" bares its fangs fiercely to unravel…
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Cannes 2025
Cannes 2025 (Critics’ Week): Adam’s Sake (dir. Laura Wandel) | Review
The 2025 Cannes Critics’ Week Opening Film "Adam's Sake" ("L'intérêt d'Adam") arrives with a heavy battle against morality. Laura Wandel’s…
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Cannes 2025
Cannes 2025 (Critics’ Week): Reedland (dir. Sven Bresser) | Review
Evil lurks deeper in the reed beds. The further the eyes perceive, the darker the anxiety unfolds. Sven Bresser’s "Reedland"…
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