Canada
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Cannes 2025
Cannes 2025 (Directors’ Fortnight): Death Does Not Exist (dir. Félix Dufour-Laperrière) | Review
Félix Dufour-Laperrière finds beauty in resistance and identity in his haunting yet deeply hopeful animated film "Death Does Not Exist"…
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IFFLA 2025
IFFLA 2025: Cactus Pears (dir. Rohan Parashuram Kanawade) | Review
Pure love, under the dome of resentment, grief, and obligation, finds a warm meaning in IFFLA’s narrative feature "Sabar Bonda"…
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CPH:DOX 2025
CPH:DOX 2025: Agatha’s Almanac (dir. Amalie Atkins) | Review
In Agatha’s Almanac, director Amalie Atkins pays tribute to the ingenuity and resilience of her aunt.
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REGARD 2025
REGARD 2025: Ma sœur (dir. Rosalie Pelletier) | Review
With sensitivity and kindness, director Rosalie Pelletier offers an intimate portrait of her sister, now a young adult, with whom…
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REGARD 2025
REGARD 2025: Always the Same (dirs. Alexandre Cossette, Kevin Espinoza-Rivière) | Review
Through vivid depictions of popular Bingo games, "Always the Same" offers a realistic and endearing portrait of a segment of…
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Spotlight: Middle Eastern Filmmakers
Sundance 2025: The Things You Kill (dir. Alireza Khatami) | Review
Family drama turns into a body-swap mystery thriller in Iranian filmmaker Alireza Khatami’s Turkey-set "The Things You Kill" ("Öldürdüğün Şeyler")—one…
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Interview
Universal Language: “Creating proximity where there seems to be distance” | Exclusive Interview
“We made the film from a position of 'no borders,' trying to create proximity between spaces that are typically separate,”…
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RIDM 2024
RIDM 2024: Simon & Marianne (dirs. Pier-Luc Latulippe, Martin Fournier) | Review
The final work involving writer and professor Simon Roy, "Simon & Marianne" delicately and compassionately explores our relationship with illness…
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RIDM 2024
RIDM 2024: Among Mountains and Streams (dir. Jean-François Lesage) | Review
In his sophisticated and captivating latest feature, Jean-François Lesage succeeds in taking us into the forest to meet two fascinating…
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RIDM 2024
RIDM 2024: Your Higher Self (dir. Annie St-Pierre) | Review
With a distinct cinematic style, Annie St-Pierre invites us to thoughtfully consider, without passing judgment, why so many people are…
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