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Melbourne Documentary Film Festival 2026
Melbourne Documentary Film Festival 2026: Out Laws | Interview with James Lewis
"We wanted to show how criminalisation affects people across the globe and across identities," says James Lewis about "Out Laws,"…
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Spotlight: Female and Non-Binary Filmmakers
Tribeca 2026: What Is to Come | Interview with Ruthy Pribar
"We need some sort of hope in the world, the way it is today," filmmaker Ruthy Pribar told us as…
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Rome Film Festival 2025
Rome Film Festival 2025: Kenny Dalglish (dir. Asif Kapadia) | Review
On a sunny Tuesday afternoon Liverpool football club’s iconic anthem 'You’ll Never Walk Alone' blasted out over Rome film festival's…
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Rome Film Festival 2025
Rome Film Festival 2025: Left-Handed Girl (dir. Shih-Ching Tsou) | Review
With the magnificent "Left-Handed Girl," Shih-Ching Tsou sou finds poetry in motion, meaning in the mess.
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Rome Film Festival 2025
Rome Film Festival 2025: Winter of the Crow (dir. Kasia Adamik) | Review
Bleak, haunting, and quietly electrifying, "Winter of the Crow" is a spooky thriller directed by Kasia Adamik and written by…
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Nordisk Panorama 2025
Nordisk Panorama 2025: Ovary-Acting (dir. Ida Melum) | Review
Through the endearing characters of Eva and Ovy, and with a skillful play on words as its title, Ida Melum…
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Venice Film Festival 2025
Venice 2025: Jay Kelly (dir. Noah Baumbach) | Review
Noah Baumbach’s latest feature about an actor taking stock of his life work (and life regrets) with Clooney in his…
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Tribeca Film Festival 2025
Tribeca 2025: Dragonfly | Interview with Paul Andrew Williams
We met director Paul Andrew Williams, whose outstanding feature "Dragonfly" premiered at Tribeca 2025 in the International Narrative Competition.
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IFFLA 2025
IFFLA 2025: Cactus Pears (dir. Rohan Parashuram Kanawade) | Review
Pure love, under the dome of resentment, grief, and obligation, finds a warm meaning in IFFLA’s narrative feature "Sabar Bonda"…
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Berlinale 2025
Berlinale 2025: Hot Milk (dir. Rebecca Lenkiewicz) | Review
Physicality, sensuality and desire take centre stage in Rebecca Lenkiewicz's short but sweet directorial debut.
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