United Kingdom
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Berlinale 2026
Berlinale 2026: Everybody Digs Bill Evans (dir. Grant Gee) | Review
Premiering in Berlinale Competition, Grant Gee’s "Everybody Digs Bill Evans" is a ravishing black-and-white elegy that turns the pianist’s creative…
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Berlinale 2026
Berlinale 2026: River Dreams | Interview with Kristina Mikhailova, Dana Sabitova and the main cast
"No Good Men" offers a rare and engaging glimpse into the lives of Afghan women working in media, blending romance…
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Berlinale 2026
Berlinale 2026: Dust (dir. Anke Blondé) | Review
Almost a financial thriller, "Dust" unspools the quiet implosion of two self-fashioned tech visionaries, turning corporate bravado into a slow,…
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Berlinale 2026
Berlinale 2026: Rosebush Pruning (dir. Karim Aïnouz) | Review
In Berlinale Competition, "Rosebush Pruning" emerges as a sun-drenched, wickedly entertaining satire from Karim Aïnouz.
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Berlinale 2026
Berlinale 2026: Lord of the Flies (dir. Marc Munden) | Review
Marc Munden and Jack Thorne’s bold BBC adaptation of "Lord of the Flies" transforms Golding’s classic into a visceral, visually…
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Berlinale 2026
Berlinale 2026: Mint (dir. Charlotte Regan) | Review
Charlotte Regan’s "Mint" is a stylish Scottish crime romance that flashes with working-class authenticity, yet ultimately falls short of the…
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Berlinale 2026
Berlinale 2026: The Story of Documentary Film (dir. Mark Cousins) | Review
"The Story of Documentary Film" offers a poetic, generous and deeply informative journey through the history of nonfiction cinema, reaffirming…
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IDFA 2024
IDFA 2024: A Want in Her (dir. Myrid Carten) | Review
Myrid Carten’s debut feature holds nothing back, presenting a raw portrait of vulnerability and confrontation in this miraculous portrait of…
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Spotlight: Female and Non-Binary Filmmakers
Zagreb Film Festival 2024: The Outrun (dir. Nora Fingscheidt) | Review
Starring Saoirse Ronan, "The Outrun" is woven out of confident storytelling, breathtaking photography and believable struggles.
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Cannes 2024
Cannes 2024 (Competition): Bird (by Andrea Arnold) | Review
Andrea Arnold's cinema is a sociology of toxic family ties. With "Bird," the British filmmaker adds a welcome touch of…
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