Year: 2025
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EnergaCAMERIMAGE 2025
EnergaCAMERIMAGE 2025: Raptures (dir. Jon Blåhed) | Review
At Energa CAMERIMAGE’s 33rd edition, Jon Blåhed’s "Raptures" distinguished itself with its stark visual poetry and gripping exploration of cult,…
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EnergaCAMERIMAGE 2025
EnergaCAMERIMAGE 2025: Nuremberg (dir. James Vanderbilt) | Review
James Vanderbilt’s "Nuremberg" revisits the postwar trials with commanding performances—particularly from Russell Crowe—even as its restrained visual style keeps the…
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EnergaCAMERIMAGE 2025
EnergaCAMERIMAGE 2025: Girl (dir. Qi Shu) | Review
In her stark and stirring directorial debut "Girl," Shu Qi delivers a haunting portrait of girlhood shaped by violence, resilience,…
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Tallinn Black Nights Film Festival (PÖFF) 2025
PÖFF 2025: Pretty Young Love | Interview with Mogens Hagedorn
"You are a fantastic human being, whoever you are — listen to your inner voice," says director Mogens Hagedorn, sharing…
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Tallinn Black Nights Film Festival (PÖFF) 2025
PÖFF 2025: 18 Holes to Paradise | Interview with João Nuno Pinto
“We are walking to the edge of existence and it doesn’t stop,” João Nuno Pinto observes, as his third feature…
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EnergaCAMERIMAGE 2025
EnergaCAMERIMAGE 2025: Sand City | Interview with Mahde Hasan
“I wanted to explore urban fragility and human connection,” director Mahde Hasan told us, as "Sand City" was presented at…
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CINEMANIA 2025
CINEMANIA 2025: Untamable | Interview with Thomas Ngijol
“For a child of immigrants, to return to the country and make this film is an accomplishment for me,” Thomas…
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Tallinn Black Nights Film Festival (PÖFF) 2025
PÖFF 2025: Goodbye Sisters | Interview with Alexander Murphy
“I wanted to show what it was like to leave your own country,” Alexander Murphy says, as his debut "Goodbye…
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French
CINEMANIA 2025: Indomptables | Interview avec Thomas Ngijol
"Pour un enfant d'immigré, de retourner au pays, et de faire ce film, c'est un accomplissement pour moi", nous a…
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French
CINEMANIA 2025: Interview avec Félix Lefebvre
Révélé par "Été 85" de François Ozon, le comédien français revient sur ses débuts : faire voyager le public par…
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