Cannes 2024
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Cannes 2024 (Competition): All We Imagine As Light (by Payal Kapadia) | Review
Payal Kapadia's "All We Imagine as Light" brings a vivid portrayal of Mumbai's restless spirit and the intertwining lives of…
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Cannes 2024: Directors’ Factory Philippines | Interview
Interviews with the eight young directors taking part in the Directors' Factory Philippines were a riot of laughter, anecdotes, and…
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Cannes 2024 (Short Film Palme d’Or): The Man Who Could Not Remain Silent | Review
Nebojša Slijepcevic’s "The Man Who Could Not Remain Silent" masterfully portrays a historical act of heroism, drawing the viewer into…
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Cannes 2024: Interview of Iris Kaltenbäck
French filmmaker Iris Kaltenbäck, who debuted her film "Le Ravissement" at Cannes last year, returns as a Critics' Week juror,…
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Cannes 2024 (ACID): In Retreat | Interview of Maisam Ali
We interviewed Director Maisam Ali, whose debut film, "In Retreat," delves into the poignant journey of a man grappling with…
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Cannes 2024 (Un Certain Regard): Holy Cow (by Louise Courvoisier) | Review
An electrifying debut from Louise Courvoisier about a cheese-making contest in the beautiful Jura region of France in her Un…
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Cannes 2024 (Directors’ Fortnight): Mongrel (by Chiang Wei Liang & You Qiao Yin) | Review
Singaporean filmmaker Chiang Wei Liang continues to explore migrant labor and the diaspora of Southeast Asians in his handsomely mounted…
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Cannes 2024 (Competition): The Substance (by Coralie Fargeat) | Review
In "The Substance," a serious Palme d'Or contender, Demi Moore's portrayal of a woman torn between youth and reality under…
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Cannes 2024 (Un Certain Regard): The Kingdom | Interview of Julien Colonna
In his debut film "The Kingdom," premiering at Un Certain Regard at the 77th Cannes Film Festival, Julien Colonna poignantly…
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Cannes 2024 (Directors’ Fortnight): Sister Midnight | Interview of Karan Kandhari
Quirky, dark humour makes "Sister Midnight" fabulous. We interviewed Indian director Karan Kandhari in the wake of the premiere of…
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