Venice International Film Festival
-
Venice 2024 (Giornate degli Autori): Sudan, Remember Us | Interview of Hind Meddeb
We met Hind Meddeb, whose film "Sudan, Remember Us," captures the vibrant spirit of Sudanese revolutionaries, drawing from her personal…
Read More » -
Venice 2024 (Orizzonti): L’Attachement (by Carine Tardieu) | Review
Orizzonti section’s love for family drama is further evidenced by Carine Tardieu’s take on nuanced family dynamics and soulful connections…
Read More » -
Venice 2024 (Settimana Internazionale della Critica): Don’t Cry, Butterfly | Review
A cocooned and desperate woman in a loveless marriage metamorphoses into a dark butterfly in Dương Diệu Linh’s surrealistic and…
Read More » -
Venice 2024 (Orizzonti): Marco (by Aitor Arregi & Jon Garaño) | Review
The story of Enric Marco premieres at the 81st Venice Film Festival, presenting a lighthearted account of a real-life fraud…
Read More » -
Venice 2024 (Out of Competition): Finalement (by Claude Lelouch) | Review
In each of us lives a small, and sometimes a significant amount of madness. The world in which we exist…
Read More » -
Venice 2024 (Orizzonti): Mistress Dispeller (by Elizabeth Lo) | Review
Elizabeth Lo's clandestine documentation of China's contemporary service for bold spouses is a breakthrough in the portrayal of marital affairs.
Read More » -
Venice 2024 (Orizzonti Extra): Le mohican (by Frédéric Farrucci) | Review
A radical attempt. A pursuit of manhunt. A revolutionary transformation. Orizzonti Extra selection "Le mohican" by Frédéric Farrucci is a…
Read More » -
Venice 2024 (Competition): Babygirl (by Halina Reijn) | Review
"Babygirl," which premiered at the 81st Venice Film Festival, finds Nicole Kidman besotted with a younger man only a few…
Read More » -
Venice 2024 (Orizzonti): Wishing on a Star | Interview of Péter Kerekes
We interviewed director Péter Kerekes, whose latest, "Wishing on a Star," takes us on a magical journey of self-discovery.
Read More » -
Venice 2024 (Competition): Campo di battaglia (by Gianni Amelio) | Review
I applauded with energy when the closing credits rolled on "Campo di battaglia," touched and humbled by the gentleness that…
Read More »