Official Selection
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Interview
Nordisk Panorama 2021: Interview of Director Helga Rakel Rafnsdóttir | Spare Parts (Best Nordic Documentary Competition)
We interviewed Icelandic Director Helga Rakel Rafnsdóttir who presented Spare Parts at the 32nd Nordisk Panorama Film Festival, an observational,…
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Interview
TIFF 2021: Interview of Director Gian Cassini | Comala (TIFF Docs)
With his debut documentary feature Comala, which premiered at the 2021 Toronto International Film Festival, filmmaker Gian Cassini crafts a…
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Venice Film Festival 2021
Venice Film Festival 2021: Reflection | Review
Valentyn Vasyanovych enters the main Competition of the 78th Biennale di Venezia with Reflection, a cinematic introspection on the complex…
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Venice Film Festival 2021
Venice Film Festival 2021: ‘Pilgrims’ Review (Orizzonti)
Laurynas Bareisa’s astute quasi-detective story examines a murder of a loved one and the process of grief in Pilgrims, presented…
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Venice Film Festival 2021
Venice Film Festival 2021: ‘El Gran Movimiento’ Review (Orizzonti)
El Gran Movimiento’s haunting vision of Bolivian exploited workers told through a mythological and mysterious narrative, makes it the most…
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Venice Film Festival 2021
Venice Film Festival 2021: A Plein Temps (Orizzonti) | Review
Director Eric Gravel and early contender for Best Actress, Laure Calamy, challenge the heroine to a hectic battle with the…
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Venice Film Festival 2021
Venice Film Festival 2021: ‘107 Mothers’ Review (Orizzonti)
Presented at the 78th Biennale, 107 Mothers (Cenzorka), directed by Peter Kerekes, looks into the unforgiving world of a Ukrainian…
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Festival Highlights
Jerusalem Film Festival 2021: The Crusade | Review
Louis Garrel’s The Crusade, presented at the 2021 Jerusalem Film Festival, succeeds in its premise and approach but falls short…
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IFF Cologne 2021
IFF Cologne 2021: ‘Stimuli’ Review
Stimuli is an inventive, wrenching, poetic and riveting short film exploring the edge of life, presented in official selection at…
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Festival Highlights
Jerusalem Film Festival 2021: Beginning | Review
Dea Kulumbegashvili’s first feature film is difficult to watch, but even harder to turn away from. Beginning is now screening…
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