Berlinale 2026
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Berlinale 2026: Dust (dir. Anke Blondé) | Review
Almost a financial thriller, "Dust" unspools the quiet implosion of two self-fashioned tech visionaries, turning corporate bravado into a slow,…
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Berlinale 2026: The Loneliest Man in Town | Interview with Tizza Covi & Rainer Frimmel
We sat down with Tizza Covi and Rainer Frimmel, who reflect on "The Loneliest Man in Town," tracing the stubborn…
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Berlinale 2026: A New Dawn | Interview with Yoshitoshi Shinomiya
In this interview, "A New Dawn" reveals itself as a film breaking away from tradition while still holding it close,…
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Berlinale 2026: The Weight (dir. Padraic McKinley) | Review
Padraic McKinley's directorial debut is a brooding Depression-era survival tale that carries the weight of its genre heavily on its…
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Berlinale 2026: Members of the Problematic Family (dir. R Gowtham) | Review
Indian New Wave director R Gowtham goes full Paul Thomas Anderson in Berlinale’s "Members of the Problematic Family" — an…
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Berlinale 2026: We Are All Strangers (dir. Anthony Chen) | Review
Anthony Chen’s "We Are All Strangers" is a beautifully shot intergenerational drama about love and shifting family bonds in modern…
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Berlinale 2026: The Other Side of the Sun (dir. Tawfik Sabouni) | Review
Tawfik Sabouni’s "The Other Side of the Sun" is a devastating, unsensational yet profoundly necessary documentary, as former Sednaya prisoners…
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Berlinale 2026: Chronicles From the Siege (dir. Abdallah Alkhatib) | Review
Abdallah Alkhatib’s "Chronicles From The Siege" offers a poignant, vignette-driven meditation on the endurance and fragmentation of Palestinian life under…
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Berlinale 2026: Everyone’s Sorry Nowadays | Interview with Frederike Migom
In "Everyone’s Sorry Nowadays," Frederike Migom explores the fragile threshold between adolescence and adulthood.
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Berlinale 2026: London (dir. Sebastian Brameshuber) | Review
Sebastian Brameshuber’s meditative road movie reveals the human condition through our connections with others and our past.
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