Berlinale 2026
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Berlinale 2026: Dao (dir. Alain Gomis) | Review
Alain Gomis’s three-hour "Dao" unfolds as a fluid meditation on family, identity, and belonging, dissolving the boundaries between fiction and…
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Berlinale 2026: Numb | Interview with Takuya Uchiyama
"I hope this film brings the audience an awareness of the often-overlooked fragments of beauty in our daily lives," director…
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Berlinale 2026: Rosebush Pruning (dir. Karim Aïnouz) | Review
In Berlinale Competition, "Rosebush Pruning" emerges as a sun-drenched, wickedly entertaining satire from Karim Aïnouz.
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Berlinale 2026: Paradise (dir. Jérémy Comte) | Review
Berlin Panorama entry "Paradise" is a surprise film forging and severing human bonds across continents through a comparative study of…
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Berlinale 2026: Enough Is Enough (dir. Elisé Sawasawa) | Review
‘This is not a movie about the conflict, it is a movie from the conflict.’ Premiering in Berlinale’s Panorama Documentary section,…
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Berlinale 2026: Roya (dir. Mahnaz Mohammadi) | Review
Premiering in Berlinale’s Panorama section as both a clandestine production and a defiant political gesture, Mahnaz Mohammadi’s "Roya" is a…
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Berlinale 2026: Lord of the Flies (dir. Marc Munden) | Review
Marc Munden and Jack Thorne’s bold BBC adaptation of "Lord of the Flies" transforms Golding’s classic into a visceral, visually…
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Berlinale 2026: Raging (dir. Ryan Machado) | Review
Gritty. Atmospheric. Emotionally devastating. Ryan Machado's "Rumaragasa" ("Raging") arrives with fury — an artsy, urgent, visually stunning exploration of teen…
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Berlinale 2026: Yellow Letters (dir. İlker Çatak) | Review
Berlinale Competition entry "Yellow Letters" offers a dense, nuanced interrogation of sociopolitical vulnerabilities and perceptual bias within power structures. Executed…
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Berlinale 2026: Mint (dir. Charlotte Regan) | Review
Charlotte Regan’s "Mint" is a stylish Scottish crime romance that flashes with working-class authenticity, yet ultimately falls short of the…
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