Official Selection
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Cannes 2022
Cannes Film Festival 2022: ‘Cherries (Uogos)’ Review
Directed by Lithuanian filmmaker Vytautas Katkus, Cherries is a surprising and well-crafted short competing for the Short Film Palme d’Or.
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Cannes 2022
Cannes Film Festival 2022: Love According to Dalva | Interview of Emmanuelle Nicot
We interviewed Emmanuelle Nicot, director of Love According to Dalva, a remarkable debut feature presented at the 61st Critics’ Week,…
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Cannes 2022
Cannes Film Festival 2022: Summer Scars | Interview of Simon Rieth
We interviewed Simon Rieth, director of Summer Scars (Nos Cérémonies), presented at the 61st Critics’ Week at the 2022 Cannes…
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Cannes 2022
Cannes Film Festival 2022: ‘God’s Creatures’ Review
Directed by Saela Davis and Anna Rose Holmer, God's Creatures (Directors’ Fortnight) is a captivating psychological drama full of mastery,…
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Cannes 2022
Cannes Film Festival 2022: ‘The Woodcutter Story’ Review
Mikko Myllyahti goes down the rabbit hole of the meaning of life in his idiosyncratic black comedy, The Woodcutter Story,…
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Uncategorized
DOK.fest München 2022: ‘If You Are A Man’ Review
If You Are A Man premiered at the 37th DOK.fest München: Simon Panay’s debut is an arresting and enthralling portrait…
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BUFF Malmö Film Festival
BUFF Malmö Film Festival 2022: ‘Sunshine Motel’ | Interview of director Rosita Wolkers
We had the pleasure of chatting with Rosita Wolkers, the filmmaker behing Sunshine Motel, a charming, appealing short film dealing…
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CPH:DOX 2022
CPH:DOX 2022: ‘The Eclipse’ Review
Nataša Urban created one of this year’s most visually appealing pieces of cinema with The Eclipse, which grabbed the prestigious…
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CPH:DOX 2022
CPH:DOX 2022: ‘The Chocolate War’ Review
Miki Mistrati’s The Chocolate War, which premiered at CPH:DOX 2022, is an eye-opening thriller doc chronicling one man’s fight against…
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CPH:DOX 2022
CPH:DOX 2022: ‘Unseen Skies’ Review
The visually stunning and informatively awakening Unseen Skies is the fruit of an incredibly well-crafted collaboration between filmmaker Yaara Bou…
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